![]() His unforgettable scenes with Green in the episode “A Blade of Grass” should have netted them both Emmy nominations. The men in the cast also make a strong impression Hartnett does some of his best work to date Dalton proves effectively heroic post-Bond and Kinnear turns in a multi-layered performance as Dr. Tony-winner Patti LuPone appears twice, first as Vanessa’s mentor and then as a gender-switched character from Bram Stoker’s Dracula. ![]() ![]() Who companion Rose Tyler) pops up not just as a doomed prostitute but also a proto-feminist version of the Bride of Frankenstein. One of the hallmarks of Penny Dreadful is that the show is chock full of them. She’s not the only strong female character though. ![]() As the series progresses, Vanessa emerges as the show’s central character, a woman whose choice between the light and the darkness will have lasting repercussions for everyone. Henry Jekyll (Shazad Latif), and a dying prostitute named Brona (Billie Piper). Frankenstein’s creation (Rory Kinnear), a creature initially known as Caliban, the mysterious Dr. Their paths will also intertwine with those of Dr. Their shared quest brings them into contact with Ethan Chandler (Josh Hartnett), an American sharpshooter with a dark secret, Victor Frankenstein (Harry Treadaway), a doctor conducting unorthodox research and experiments, and Dorian Gray (Reeve Carney), a charming rogue with secrets of his own. She’s helping Sir Malcolm Murray (Timothy Dalton) locate her friend and his daughter Mina (Olivia Llewellyn) who’s been kidnapped by unearthly forces. The story concerns Vanessa Ives (Eva Green), a powerful medium haunted by a troubled past. These well-known characters interact with each other in a terrifyingly suspenseful story that’s much more than just pastiche, because the series takes on dealing with one’s inner demons as much as it showcases vampires and re-animated corpses. This fascinating Victorian-era horror saga features characters from the novels Dracula, Frankenstein, Dr. Both Penny Dreadful and Dracula are likely to be appreciated by fans of Stoker and Gothic literature, but the former succeeds by knowing exactly what it's meant to be from start to finish.Seeking a thrilling team-up of horror icons? Look no further than Penny Dreadful, a fantastic Showtime series created by John Logan, the screenwriter behind such well-regarded films as Gladiator and The Aviator. Penny Dreadful may have been melodramatic at times, but that was more reminiscent of the times, yet Dracula separated itself from honoring the traditions of its Victorian and Gothic history to feel fresh, but failed to capture the essence of Stoker's novel through a series of distinct differences. The show tried to be clever by giving Van Helsing a gender-swap which ended up being a familial lineage following Dracula throughout the years, but it copied too much from Moffat's other shows, to the point of being formulaic, that it couldn't quite keep up with its own attempts at originality. In Dracula, the story becomes convoluted through time jumps that eventually propels the Count into the modern era, where he searches Tinder to find his victims, whom he can influence through sex. ![]() None of it seems like it would fit together, and yet it manages to do so perfectly. A werewolf finds himself looking to protect a woman who is wanted by the Devil. Frankenstein's monster ends up working at a theater, the Grand Guignol, with deep roots in actual history because he feels it's the only place that will truly accept him. Victor Frankenstein working alongside Van Helsing to help Mina Harker's father find her after she's been abducted. Penny Dreadful somehow understood how to weave together all these tales that don't traditionally go together, such as Dr. Though elements of Mina Harker, Van Helsing, and Stoker's Dracula are explored as early as the show's first season, the culmination of the character itself doesn't fully come into play until the final season, and that's part of what makes it great. ![]()
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